Australian-born, LA-based artist and Emmy-nominated director Fletcher Moules unveils a distinct aspect of his artistry with “Possibly”, the newest single from his mission The New Situation. Greatest recognized for shaping expansive visible universes—Netflix’s Entergalactic with Child Cudi and Conflict of Clans’ billion-view marketing campaign, Moules now turns inward, crafting music that feels cinematic but disarmingly private.
Hovering between pleasure and longing, “Possibly” is a synth-pop ballad steeped within the romantic melancholy of late-’80s post-punk. Written 20 years in the past, the track carries the timeless weight of a melody that refuses to fade, a tune Moules admits he’s been buzzing for 20 years. That historical past provides the monitor its uncommon emotional pull, equal elements reminiscence and dream.
Constructed on nostalgic synth strains, crisp digital drums, and an unfiltered vocal supply, the one exudes a softness that lingers lengthy after it ends. Its depth is sharpened by the experience of Mark Saunders (The Treatment, Depeche Mode) on mixing and Matt Colton (Blur, New Order) on mastering, who give the monitor the shimmering polish of the very artists it echoes.
Reflecting on the monitor, Moules describes it as having a “joyful/unhappy ring” that follows you throughout life’s chapters. That duality is the essence of “Possibly”: delicate but weighty, bittersweet but cathartic, a track that finds energy in its restraint.
Accompanying the one is a putting self-directed music video created solely with Google’s Stream Veo3 AI platform, merging Moules’ cinematic instincts with cutting-edge know-how. With imagery starting from ants bearing leaves to a surreal cliffside plunge, the visuals mirror the track’s embrace of uncertainty and emotional give up. Removed from gimmickry, using AI underscores Moules’ dedication to storytelling, proving how these instruments, when utilized thoughtfully, can increase the inventive prospects for unbiased artists.
“Possibly” stands as each a haunting introduction to his forthcoming debut album and a reminder that some songs merely await the correct second to be heard.