Singer/songwriter Goldie Boutilier unpacks the heartbreak, grit, and glamour that outline her long-awaited debut album, ‘Goldie Boutilier Presents Goldie Montana.’ Her cinematic, golden-hued opus reveals a voice each timeless and contemporary — sultry, spellbinding, and unafraid to show survival into starlight.
Stream: “Goldie Montana” – Goldie Boutilier
Goldie Boutilier shimmers like starlight in “Goldie Montana,” the dazzling, golden-hued title monitor to her long-awaited debut album.
A dreamy, seductive, sweltering reverie – cinematic in scope, sultry in supply – it reintroduces the world to an artist who has worn many names, however has by no means shone so brightly as she does now. The guitars drip in reverb, her voice is crisp, charming, and emotionally charged, glowing with grit, glitter, and stardust. In a single breath she’s a femme fatale, a starlet, and a survivor, casting her personal mythos in radiant, golden hues.
“This album is my manifesto,” Boutilier tells Atwood Journal. “Goldie Montana is an idea I created in regards to the alter ego I needed to develop into so as to survive my previous, after which, in reality, now thrive on this chapter of my life. A gangster in a robe, Goldie Montana is that outlaw model of your self, the particular person you develop into to really feel your inside energy and empowerment and that’s what I hope individuals will take away from my music – that feeling that you’re in control of your future.”
That duality – grit wrapped in glamour, survival steeped in attract – pulses on the very coronary heart of Goldie Boutilier Presents Goldie Montana, which arrives September 5th through ONErpm. Every music is a chapter in her self-made mythos: A widescreen story of scars, energy, and self-possession.
Serotonin, melatonin
Throughout the hallway, I can hear them moaning
Don’t interrupt, he’s in a zone
It’s been a very long time since he has gone house
He has gone house
Drugs to really feel calm, drugs to get excessive
It’s a bit of too late to be on time
Gin that smells of turpentine
All I wanna do is have time
All I wanna do is roll the cube
Wheels contact down in a gold mud city
Cash grows on timber, intercourse is within the breeze
I’m the king, oking of prospects
– “King of Potentialities,” Goldie Boutilier
Boutilier kicked off the 12 months with “King of Potentialities,” a gritty, sun-soaked, smoldering music of liberation and indulgence impressed by her cousin Jimmy, “the type of man who doesn’t apologize.” A bluesy burner and the album’s opening monitor, it units the tone for every part that follows: “Wheels contact down in a gold mud city / Cash grows on timber, intercourse is within the breeze / I’m the king, king of prospects,” she declares, her voice glowing with grit and swagger. Each spellbinding and surreal, the monitor rolls like a fever dream of vice, freedom, and defiance.
She adopted it with “Neon Nuptials,” a vivid, tender story of affection on the run – “in regards to the type of love I’m hoping for,” she says, “and naturally I needed to make the primary characters a bit of bit rebellious.” A mild, glistening reverie, the music drifts like a daydream dusted in hazy golden gentle and sweat – capturing the warmth of the second with starry-eyed abandon. “There’s no stars within the sky, they’re all in our eyes,” she croons, earlier than confessing, “The entire world feels proper while you’re by my aspect… neon nuptials.” Her voice aches with intimacy and longing, turning fleeting moments of ardour into one thing timeless and cinematic.

Then got here “I Can’t,” a white-hot, brooding ballad born from heartache and grief paralysis. “While you’re so heartbroken you may’t eat, sleep, transfer on. When the one who broke your coronary heart may nonetheless knock in your door and also you’d allow them to in,” she explains. Over moody guitars, she confesses, “I wanna cease considering ‘bout you, however I can’t / I wanna begin one thing new, however I can’t,” her voice caught between fury and fragility. It’s as uncooked as it’s relatable, a music that lingers like a wound that refuses to shut.
Collectively, these singles chart the terrain between need and despair, rebel and smash – all constructing to the cinematic sweep of “Goldie Montana.” The dazzling title monitor is well a standout, the document’s crown jewel, radiant and intoxicating, reintroducing Boutilier in her boldest, most unapologetic kind. The lyrics learn like a screenplay dripping in scandal and attract. “I’m sporting a white gown, I couldn’t look extra harmless / I appear like a virgin, and also you wouldn’t know the distinction,” she sings, her phrases laced with hazard and need. Elsewhere, she toasts champagne laced with MDMA, winks at fathers behind lovers’ backs, and descends in glass elevators like a goddess-turned-grifter.
Each line blurs fantasy and actuality, portray Goldie Montana as each a personality and a confession – an alter ego born of necessity, but in addition a mirror of Boutilier’s personal reinvention. Equal elements dreamy, defiant, and daring, glittering and grounded, the music embodies her imaginative and prescient of being a “gangster in a robe” – glamorous, resilient, and indestructible.
I’m sporting a white gown
I couldn’t look extra harmless
I appear like a virgin
And also you wouldn’t know the distinction
Nobody sees the grifter
She’s chopping a determine so elegant
Not even a whisper
And that’s how I win your confidence
I look fairly inside {a photograph}
Don’t you agree, as I wink at your dad
Ya, he’s winking again
Mdma inside my champagne glass
that every one the perfect ladies are quick
Uh huh it’s like that
– “Goldie Montana,” Goldie Boutilier
“It’s my origin story and my heist film rolled into one,” Boutilier says of her musical mission assertion. “Every music is a scene in my transformation: From underdog, to survival, to chaos, many dangerous choices, dangerous individuals and hazard. The moments I want you would take again however wouldn’t, as a result of they made you indestructible.”

Goldie Boutilier has lived many lives in music. First signed to Interscope as My Identify Is Kay (and later Kay), she scored collaborations with Tiësto and Steve Aoki earlier than reinventing herself in Paris as Goldilox, releasing 2018’s disco-soaked Very Greatest. In 2020 she reclaimed her beginning title and her voice, rising as Goldie Boutilier – a singer, songwriter, mannequin, and DJ whose music blends tragic romance with glamour, grit, and melancholia. Throughout every reinvention, one fact has remained fixed: Boutilier is an artist unwilling to be confined.
Now, with Goldie Boutilier Presents Goldie Montana, she steps into her most exhilarating period but. Praised by Elton John and Zane Lowe, booked for festivals from Bonnaroo to ACL, and hand-picked by Orville Peck as a tour opener, she has honed her cinematic sound into one thing magnetic and unmistakably her personal. Whether or not crooning a lounge ballad or commanding an anthemic refrain, Boutilier embodies characters with out hiding behind them – outlaw, seductress, survivor – every one rooted in a uncooked authenticity. It’s a soulful, retro-tinged imaginative and prescient of artistry that feels each iconically traditional and totally contemporary, and it cements Goldie Montana as her boldest work to this point.
An plain Atwood Journal artist-to-watch, Goldie Boutilier and her music are intoxicating as a result of each artwork and artist alike really feel timeless and pressing. A love letter to dangerous choices, survival, and the ladies who don’t wait to be saved, Goldie Boutilier Presents Goldie Montana isn’t simply an introduction – it’s a fearless assertion of intent, and proof that Goldie Boutilier is a pressure destined to rise – an artist totally getting into her prime.
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A CONVERSATION WITH GOLDIE BOUTILIER
Atwood Journal: Goldie, hey! You kicked off the 12 months with the music “King of Potentialities,” a sun-soaked and smoldering music of liberation and indulgence. It truthfully seems like a unbelievable – and becoming – follow-up to your final EP’s ultimate monitor, with that line, “I am an angel, however I am no saint.” What is the story behind “King of Potentialities,” for you?
Goldie Boutilier: I wrote it interested by my cousin Jimmy, who I assumed was only a truck driver. Seems he was… simply shifting totally different cargo. He’s locked up now, however I imagined what it’d really feel wish to be him; wild, free, lawless, the type of man who doesn’t apologize.
You adopted that up with “Neon Nuptials,” which has develop into a fast favourite for me personally. It is such a vivid, tender story of affection “on the run,” as you set it within the music – and simply having that one “accomplice in crime” at your aspect for all of the moments that depend. What impressed this music, and what’s it about for you?
Goldie Boutilier: “Neon Nuptials” is a music in regards to the type of love I’m hoping for, and naturally I needed to make the primary characters a bit of bit rebellious.
“I Cannot” is a white-hot brooding music born from heartache, and underpinned by a very gorgeous electrical guitar solo. It is a reminder, to me, that regardless of how liberated we SAY we’re, typically all it takes is one particular person to interrupt us and produce us again right down to earth. How does this music resonate for you, too?
Goldie Boutilier: This music is about grief paralysis. While you’re so heartbroken you may’t eat, sleep, transfer on. when the one who broke your coronary heart may nonetheless knock in your door and also you’d allow them to in.

All these songs are part of your upcoming album Goldie Montana, which you’ve got been slowly teasing. What’s the album about, and the way do all of those tracks – together with the most recent title monitor “Goldie Montana” – match into the general narrative of Goldie Montana?
Goldie Boutilier: It’s my origin story and my heist film rolled into one. Goldie Montana is a personality I constructed out of my very own scars – half Scarface, half Goldie: Somebody who may stroll into any room and by no means flinch.
Every music is a scene in my transformation: From underdog, to survival, to chaos, many dangerous choices, dangerous individuals and hazard. The moments I want you would take again however wouldn’t, as a result of they made you indestructible.
For individuals who are simply discovering you at the moment via this writeup, what would you like them to learn about you and your music?
Goldie Boutilier: My music is a love letter to dangerous choices, survival, and the ladies who don’t wait to be saved.
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Stream: “Goldie Montana” – Goldie Boutilier
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