1.) You’ve attended Coachella many occasions. As its that point of 12 months once more, how has the competition influenced you?
Coachella is an unimaginable occasion of creativity and expression. Each time I’ve gone, I’ve come away with one thing new. Whether or not it’s an artist’s efficiency or simply the general vibe of the competition, it’s inspiring to see so many various types of music and artwork come collectively in a single place.
2.) We had been very touched by your latest music “Lord Give Me The Rain.” How did the fires in Los Angeles affect the music and why is Los Angeles so private to you?
The LA wildfires had been a turning level for me. I felt helpless but in addition impressed to make use of my music as a type of expression. I discovered a Hungarian prayer and channeled my grief right into a symbolic prayer for renewal. The music is a name for therapeutic, not only for the setting, but in addition for the emotional scars all of us face. As for Los Angeles, I recorded my album Keep and filmed the music video alongside the Pacific Coast Freeway. It’s a really particular place to me.
3.) “For You” feels extremely private. What’s the story behind that music?
It’s about reclaiming your peace. I wrote it after realizing that giving all of your self to somebody doesn’t at all times imply they’ll maintain it with care. It’s a boundary music. It’s mushy, but in addition fierce in its message. Typically the bravest factor you are able to do is say “no extra” in a delicate voice.
4) Your album ‘Keep’ is extremely intimate but numerous sonically. What was your imaginative and prescient when placing it collectively?
The album got here from grief. I misplaced my father, and I didn’t know the best way to course of it—so I sat with my emotions. ‘Keep’ is about sitting with disappointment, with magnificence, with love. I labored with totally different producers throughout Europe and the U.S., which is why the sounds are so diversified. However at its core, it’s all about staying linked to what’s actual.
5.) You’ve labored with some wonderful DJs and producers—are you able to discuss that, and do you wish to proceed that collaboration sooner or later?
Positively. I like collaborating with DJs as a result of they create a unique sort of self-discipline to a observe—one which’s rooted in rhythm, power, and area. I’ve labored with a number of who’ve actually helped me reimagine how my voice can reside in a extra digital or dance-oriented world. I’d like to proceed down that path, particularly with reside remix units. I believe there’s a fantastic intersection between singer-songwriter vulnerability and digital elevation, and I wish to hold exploring that.
6.) Your music “Hey Granny” touches on themes of household and legacy. What impressed this observe?
I wrote “Hey Granny” as a means of holding onto the knowledge that got here earlier than me. It’s a music for anybody who feels the presence of their ancestors in moments of silence. There’s a lot energy in our roots—generally we simply must be reminded that we come from love.
7.) “Mexico” has been described as an empowering journey. Are you able to share the story behind it?
“Mexico” is about escaping the model of your self that now not suits. I wrote it after a time after I felt caught—creatively, emotionally. That journey grew to become symbolic. It was much less concerning the vacation spot and extra about permission to rediscover who I may very well be.
8.) You’ve carried out in some iconic venues in LA. How has performing reside formed your relationship together with your viewers?
Dwell exhibits remind me that music is a two-way dialog. If you see somebody within the entrance row singing your lyrics again to you, one thing shifts. It’s not about perfection anymore. It’s about presence. I’ve discovered to belief the second extra due to that.
9.) Do your Hungarian roots ever make their means into your sound or lyrics?
Completely. Even after I write in English, there’s a rhythm and melancholy in the way in which I phrase issues—that comes from Hungarian folks and language. I additionally love bringing that refined darkness into vivid melodies. It’s like a secret undercurrent.
10.) As somebody who writes about therapeutic, how do you personally handle artistic burnout?
I don’t combat it anymore. If I’m burned out, I let myself relaxation. I’m going for lengthy walks with out music. I take heed to silence. Typically I write letters I by no means ship. Typically I simply breathe. I’ve discovered that the very best songs come after I cease chasing them.
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