Canadian Classical guitarist Daniel Ramjattan will carry out a recital at St. Thomas’s Anglican Church on March 22. Offered by The Associates of Music at St. Thomas, this system contains works by Bach, Mertz, Tsujita, and others.
The Associates of Music at St. Thomas’s current a sequence of neighborhood recitals, lectures, music schooling, and assist the The St. Thomas’s Choristers, a choral music program for teenagers aged 7 to 17. Earlier seasons have featured artists comparable to cellist Elinor Frey, the Eybler Quartet, and Lute Legends Ensemble, amongst others.
Classical Guitarist Daniel Ramjattan
Daniel studied guitar privately with mentors comparable to Patrick Roux, Dr. Jeffrey McFadden, the late nice Bruce Holzman, Lorenzo Micheli, and Jorge Caballero, amongst others. He went on to win competitions in Ottawa and on the OMFA Provincial Guitar Competitors, inserting second within the FCMF Nationwide Guitar Competitors in 2016.
As we speak, Ramjattan is a busy performer who has appeared on levels and in recitals throughout North America, in Japan, and Trinidad and Tobago. He has additionally carried out at festivals throughout Canada and internationally, together with the 21C Music Competition, Open Ears, Ottawa Chamberfest, Italy’s Livorno Music Competition, Vienna’s Alte Schmiede Kunstverein, the Vancouver Classical Guitar Competition, and lots of others.
Alongside his performing calendar, Dr. Ramjattan is a recording artist, guitar professor and lecturer at Wilfrid Laurier College, and on the Oscar Peterson College of the Royal Conservatory of Music, in addition to in his non-public Toronto studio.
As a devoted educator, his college students have received RCM Gold medal, and gone on to check at undergraduate and graduate applications throughout Canada. He’s a wanted adjudicator at competitions.
He has lectured on the subject of efficiency nervousness at McGill College, the College of Toronto, Mount Royal College, and different establishments.
The Live performance
After the efficiency, there will probably be a post-concert chat adopted by a light-weight reception.
In an interview printed on The Associates of Music at St. Thomas weblog, Ramjattan mentions that the post-concert chat will probably be about music efficiency nervousness, which was the subject of his doctoral dissertation. He additionally teaches college students to handle their anxieties at Wilfred Laurier College.
Basically, he talks about studying to just accept the nervousness whereas engaged on altering the response to it. He factors out, for instance, that the heightened bodily responses that happen earlier than a efficiency can both be felt as nervousness, as a type of avoidance. The alternative may also be true.
‘However an individual having the identical physiological expertise may as a substitute say, ‘Oh, that is lightning flowing by my physique, making me highly effective. How thrilling. I’m pumped as much as play. I’m pumped as much as sing. That is what it feels wish to be galvanized, to be able to share my music with others.’ That could be a utterly completely different expertise, although physiologically pleasure and concern are coded the identical method in our physique. It’s solely how we interpret the sensation in our thoughts that makes it nervousness or not.’
- Tickets are pay what you would like. Discover extra particulars and tickets [HERE].
Are you trying to promote an occasion? Have a information tip? Must know one of the best occasions taking place this weekend? Ship us a notice.
#LUDWIGVAN
Get the each day arts information straight to your inbox.
Join the Ludwig Van Toronto e-Blast! — native classical music and opera information straight to your inbox HERE.
Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.