I’ve listed my “prime tens” for a lot of artists, but it surely’s time to rummage by means of whole discographies and rank each single from worst to greatest. This function will primarily deal with teams who’ve disbanded or gone on indefinite hiatus. It’s a manner for me to re-evaluate my preliminary ideas on their singles run. Don’t be stunned if the order has modified from previous countdowns. These items are all the time in flux!
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17. Wow Conflict Tonight (2016)
I’m placing this on the backside not as a result of it’s a foul music (it’s an incredible basic, really), however as a result of it’s been lined by one million J-pop acts already and AOA’s model doesn’t actually do something new with it. (full overview)
16. I’m Jelly Child (AOA Cream) (2016)
I used to be overly harsh on this when it was launched. It’s nonetheless not a favourite, however I like the funky synths and the melodies are nice. (full overview)
15. Bing Bing (2017)
This appears like a lesser model of different tracks, however its brassy bounce continues to be satisfying. (full overview)
14. Confused (2013)
This huge brassy sound fits them very properly.
13. Come See Me (2019)
This can be a good EDM banger to ship the group off. It’s not as memorable as their greatest work, however nonetheless embraces the campy enjoyable they have been recognized for. (full overview)
12. Bingle Bangle (2018)
This chirpy summer time sound is a bit totally different for AOA however contains sufficient of their musical hallmarks to work properly. (full overview)
11. Good Luck (2016)
I like this, but it surely appears like a comedown after their glorious 2014-15 materials. The mini album’s nice, although. (full overview)
10. Give Me The Love (ft. T.M.Revolution) (2016)
It’s nonetheless loopy to me that AOA collaborated with T.M.Revolution of all individuals. The music is sweet, however ought to be wonderful given this stage of expertise. (full overview)
9. Moa (AOA Black) (2013)
Regardless of this being the group’s first “band” launch, it really sounds nearer to the Courageous Brothers produced pop that will ultimately make them enormous.
8. Oh Boy (2015)
AOA’s Japanese work maintained most of the parts that made their Okay-pop releases so profitable and Oh Boy is the strongest instance.
7. Excuse Me (2017)
The swirling, hypnotic refrain is such a profitable hook. (full overview)
6. Miniskirt (2014)
This was the massive breakout second for AOA and it’s simple to see why. It’s so slinky and addictive. (full overview)
5. Get Out (2012)
The synths and total manufacturing are tremendous dated, however in a enjoyable manner. Nice melodies assist this stand out.
4. Brief Hair (2014)
At this level, AOA had actually discovered their groove. Brief Hair’s refrain stays one in all 2014’s most enduring.
3. Elvis (2012)
That is such a unusual sound, displaying the way to completely stability bratty sing-talk with ultra-catchy melodies and thrilling manufacturing. (full overview)
2. Like A Cat (2014)
What an earworm! I’m undecided any music has ever captured feline slinkiness higher. The refrain continues to be so addictive right this moment. (full overview)
1. Coronary heart Assault (2015)
Enjoyable truth: that is really my second most-played lady group monitor… ever. (Effectively, no less than since I began protecting monitor in mid-2015.) That’s how a lot I like it. So far as I’m involved, that is Okay-pop (and Courageous Brothers) perfection.