“I can’t say what it’s going to really feel like…I’m smart sufficient to know I’ve acquired to listen to this earlier than judging”: How King Crimson offshoot BEAT moved from an all-star dream to actuality

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When King Crimson mastermind Robert Fripp leaked curious particulars of BEAT in spring 2024, various eyebrows have been raised. The challenge celebrates King Crimson’s 80s albums Self-discipline (1981), Beat (1982) and Three Of A Good Pair (1984). It discovered Adrian Belew and Tony Levin reconnecting for a really particular North American tour, with guitar god Steve Vai and Instrument drummer Danny Carey. Prog caught up with Belew and Levin earlier than simply earlier than the quartet gathered for his or her first rehearsal.


Consider King Crimson and the thoughts’s eye often wanders to the band’s 1969 masterpiece In The Courtroom Of The Crimson King, or perhaps certainly one of their 70s classics. Nonetheless, the early 80s was a time when Fripp cosied up alongside Adrian Belew, a former Frank Zappa, David Bowie and Speaking Heads cohort; Tony Levin, who had spent the 70s enterprise every little thing from jazz to pop; and Invoice Bruford, initially a part of their early 70s line-up. It was a time to reinvent the wheel.

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