The Nationwide Ballet of Canada / The Nutcracker, choreography and libretto by James Kudelka, music by P.I. Tchaikovsky, 4 Seasons Centre, closes Dec. 31. Tickets right here.
After 29 years, I’ve seen James Kudelka’s Nutcracker so many instances, I may most likely dance it (a sight nobody would ever wish to see). Nonetheless, it’s a permanent testomony to his choreographic genius that the work stays as contemporary and entertaining as it’s.
The Foremost Characters
Kudelka set the ballet within the Russia of Tchaikovsky’s personal time, and Santo Loquasto’s magnificent units and costumes by no means look dated attributable to their sheer opulence.
The choreographer additionally made different adjustments.
He created two battling siblings, Marie (Héloïse Halbe-Kains) and Misha (Eamon Currie), who, because the ballet progresses, study to get alongside and assist others. I’ve to say that these two kids from Canada’s Nationwide Ballet Faculty poured every little thing into their roles. Their fights have been actual, they usually have been a delight to look at.
Kudelka’s hero is Peter (Christopher Gerty), the steady boy/Nutcracker Prince who’s a buddy of the lonely youngsters instead of their distant mother and father. The kids even have a loving nurse Baba (warmly performed by Stephanie Hutchison). It’s these 4 who journey to the Land of Snow and the realm of the Sugar Plum Fairy. Then there’s Uncle Nikolai (Ben Rudisin) who gives the magic.
Once I interviewed Kudelka means again in 1995, earlier than The Nutcracker’s premiere, he instructed me that Peter’s choreography was going to comprise mannerisms of the unique Peter, the beloved Rex Harrington, and all these years later, you may see Harrington within the steps. It’s fairly magical.
I’ve lengthy championed Gerty, and he didn’t disappoint as Peter. There may be an ease of approach about his dancing, and he fills the area as a result of there’s nothing tentative about his physicality. Each motion appears completed and completely executed. There’s a sleek but manly bearing about his stage presence, and he’s additionally an excellent actor. His heat in the direction of the kids radiated off the stage.
As anticipated, Heather Ogden was a stately, even majestic, Sugar Plum Fairy. Kudelka gave her a convoluted solo filled with unusual turns and complex footwork transferring in all instructions which Ogden by no means rushed or pushed. Her character is one who’s aloof from her courtroom, rising sometimes from her fabulous Faberge egg, and Ogden captured that mystique. She was royalty certainly.
Uncle Nikolai is a spinner and turner and jumper, and Rudisin nailed the position. He was a whirligig of motion, attaining nice top as he whipped his physique round. He gave pleasure to the position in a really spectacular efficiency.
One other change Kudelka made was to show the Snow Queen solo right into a pas de trois. Thus, we now have the Snow Queen (Genevieve Penn Nabity) and her two Icicles (Larkin Miller and Shaakir Muhammad). This scene by no means fails to astonish with its difficult approach and terrifying partnering, significantly when the boys carry the Queen off stage, and she or he is actually the other way up. These three dancers are all notable classicists and tossed off the dense choreography as if it have been simple.
Solely Kudelka would have completed this, however he added in a Bee (Hannah Galway) to the well-known Waltz of the Flowers, who darts in, out and throughout the ensemble, and is generally within the air, propelled by lightning-fast choreography. Galway, one other effective classical technician, pulled of this taxing position with aplomb, and like a perpetual movement machine, she by no means stopped.
What follows are my musings about this efficiency of Kudelka’s Nutcracker…
My actually large takeaway from this viewing is simply how extra technically adept dancers at present are from the unique 1995 solid. This can be a well-known reality within the ballet world — that faculties are producing whiz children with unbelievable prowess.
Kudelka’s choreography isn’t simple. He has the repute of packing in additional steps to the bar than most different dancesmiths, however this time, the vim and vigour of the Nationwide dancers made the calls for of the choreography stand out.
Take for instance, the Sheep (Brenna Flaherty)/Fox (Noah Parets) divertissement within the second act. She’s dainty and he jumps round, and the little sheep are cute, I’ve all the time thought.
This time, the dancing made me sit up and take discover. Parets carried out with such forceful power and achieved such top in his jumps that it was like choreography reworked. Equally, Flaherty’s on the spot footwork and the mild motion of the closed fists held tightly to the physique, accompanied by actual head actions highlighted the management wanted to carry out the Sheep’s position.
It was like this right through the night. I stored seeing issues refreshed.
Youngsters of all ages have lots to do on this Nutcracker. They attend the primary act Christmas social gathering, they’re canine, cats and mice within the bed room scene, they’re unicorns within the Land of Snow, and courtiers, cooks and sheep within the Sugar Plum act. I’m guessing there isn’t a different model that makes use of so many youngsters. Within the previous manufacturing, when you have been too tall or too small, you couldn’t carry out. The nice (and tall) Karen Kain by no means was a Nutcracker baby.
The Land of Snow corps de ballet Snow Maidens is without doubt one of the most complex by way of patterning. I can by no means recover from how harmful it’s, and due to this fact, how beautiful the outcome. If a kind of dancers makes one improper transfer, it could be whole chaos.
I completely adore what Kudelka did to the Arabian divertissement. As an alternative of 1 girl and two males, he has two {couples} who mirror one another precisely and Isabella Kinch, Oliver Yonick, Alexandra MacDonald and Peng-Fei Jiang have been completely beautiful.
What Kudelka did with the Waltz of the Flowers could be very artistic. As an alternative of a regular corps de ballet, he has three teams of flowers coming and going, together with the Bee, famous above, making the choreography thrilling. There’s a actual construct of drama within the music, due to conductor David Briskin and the orchestra, which matches the combining collectively of all of the forces in a grand finale.
Right here’s a plea to the Nationwide. Might you kindly checklist the names of the three servants in this system who seem within the first act. They’re fairly concerned within the goings on. In case you are itemizing the Goat and the Rooster, checklist the servants as effectively.
And if I’ve one small criticism about this manufacturing, it’s that the Christmas tree by no means rises tall sufficient. It builds out sideways, however by no means goes as much as the stratosphere. I actually miss that.
Last Ideas
I wasn’t going to do that, however I can’t assist myself. James Kudelka’s Nutcracker is the perfect on the planet.
Are you seeking to promote an occasion? Have a information tip? Must know the perfect occasions occurring this weekend? Ship us a be aware.
#LUDWIGVAN
Get the day by day arts information straight to your inbox.
Join the Ludwig Van Toronto e-Blast! — native classical music and opera information straight to your inbox HERE.
Paula Citron is a Toronto-based freelance arts journalist and broadcaster who hosts her personal web site, paulacitron.ca. For over 25 years, she was senior dance author for The Globe and Mail, affiliate editor of Opera Canada journal, arts reviewer for Classical 96.3 FM, and dance previews contributor to Toronto Life journal. She has been a visitor lecturer for varied cultural teams and universities, significantly on the position of the critic/reviewer, and has been a panellist on COC podcasts. Earlier than assuming a full-time journalism profession, Ms. Citron was a member of the drama division of the Claude Watson Faculty for the Arts.