Icelandic indie folks singer/songwriter Arny Margret takes us track-by-track by her soul-stirring sophomore album ‘I Miss You, I Do’ – an intimate, delicate, and boldly bold endeavor that embraces a extra expansive sound with out sacrificing its uncooked, emotional core.
Stream: “I Miss You, I Do” – Arny Margret
Arny Margret has all the time had a method of creating the huge really feel intimate.
Hailing from the distant Westfjords of Iceland, the singer/songwriter has steadily carved out an area for herself together with her uncooked, introspective lyricism and heat, delicate melodies. Her music brims with a quiet depth, mixing folks sensibilities with a deep emotional resonance that lingers lengthy after the ultimate notice fades. Following her 2022 debut they solely speak in regards to the climate, Margret returns with I Miss You, I Do, an achingly intimate and expressive album that expands her sonic panorama whereas staying true to the confessional storytelling that first endeared her to listeners.
In the future we’ll meet
like nothing ever occurred
Speak in regards to the bruises on our toes
And we’ll consider the time
we shared as soon as upon a time
Linking arms on the road
Oh, I miss you, I do
And I hope you do
Oh, I miss you, I do
And I do know you do
– “I Miss You, I Do,” Arny Margret
Launched March 7th by way of one little impartial information, I Miss You, I Do is each a continuation and a daring step ahead. With a richer, fuller sound formed by collaborations in each the U.S. and Iceland, Margret leans into folks textures and layered instrumentation, capturing a way of progress and inventive exploration in songs that really feel light, but dramatic – however ceaselessly tender at coronary heart. At its core, this album stays deeply private: A set of snapshots from the artist’s life, woven along with the identical honesty and vulnerability which have outlined her earlier work.
“It’s sort of like a diary for me, tales and experiences from my life,” Margret tells Atwood Journal. “The songs are all written across the identical time in order that they match properly collectively. The one imaginative and prescient I had was to make the sound greater and extra folky. I believe it didn’t actually change all through recording the document, it simply acquired clearer and made extra sense to me what I used to be doing.”
To deliver I Miss You, I Do to life, Margret stepped past the solitary confines of her early songwriting course of and into studios throughout the U.S., working carefully with acclaimed producers Brad Prepare dinner (Bon Iver, Waxahatchee, Hurray For The Riff Raff), Andrew Berlin (Gregory Alan Isakov, Rise Towards), and Josh Kaufman (Bonny Gentle Horseman, Bob Weir, The Maintain Regular). Every collaborator introduced a brand new dimension to her music, pushing her to discover fuller preparations and richer sonic textures whereas sustaining the stark intimacy on the core of her artistry. From recording in Raleigh, North Carolina, to Gregory Alan Isakov’s studio in Colorado, and Kaufman’s camp in Woodstock, New York, the album turned a mirrored image of each bodily and inventive motion – of Margret embracing change and leaning into an even bigger, extra expansive sound with out shedding the uncooked sincerity that defines her work.
“I believe it’s very me at this second in time, that additionally goes with my debut album they solely speak in regards to the climate,” she explains. “I’m prepared now for the larger sound and I wish to discover extra. Again then, I used to be beginning out and had solely been making songs in my room. I used to be used to my songs being very uncooked, in order that was the best way for me to do it again then. I believe I’m all the time altering and rising extra into my music.”
Margret candidly describes I Miss You, I Do as vibrant, sincere, and susceptible.
“I preferred the title; it’s easy, however significant to me,” she smiles. “I additionally just like the tune and the story behind it, which is about lacking somebody you like that’s distant. I wrote that tune in possibly 10 minutes the night time earlier than recording with Josh. I had a number of concepts for album titles, however this one felt proper to me; it felt vibrant and hopeful.”
From finish to finish, I Miss You, I Do proves a breathtakingly stunning listening expertise.
The document opens with the title monitor – during which Margret dwells in an area of blue, brooding nostalgia and unfiltered longing, burdened by the burden of a not-so-distant previous and the bittersweet ache of her current. “Twenty-three and a midlife disaster,” she sings softly over a heat blanket of acoustic and electrical sound. “Will you sing me to sleep? You’re thus far and I’m bored with calling, dreaming of the day we meet.” Her soul is uncovered; her voice is wealthy, tender, and hauntingly delicate, the feelings she places into each phrase as highly effective because the feelings she withholds.
Such is the case with all of I Miss You, I Do’s ten songs – each is without delay a time capsule and a cathartic launch from the artist’s innermost depths. Standouts embody the nice and cozy confessional “Crooked Enamel,” the sweetly stirring “I Love You,” the seductive, smile-inducing “You’re Mine, I’m Yours,” and the atmospheric and enchanting “Glad New 12 months,” which closes the document in a state of dreamy bliss.
“My spotlight(s) from making the document was positively recording within the US, assembly and dealing with the entire producers that labored with me on this,” Margret says. “I keep in mind Brad crying once we listened to ‘Took the Prepare ‘til the Finish’ after recording the entire day, that was positively a second that stays with me. One other one was when Josh made me attempt to begin a tune a capella – it completely freaked me out, nevertheless it labored out ultimately. Only a bunch of those little moments. I’m very happy with the work I did on this document; it was scary however rewarding.”
As for her favourite lyrics, she says, “I’ve so much – all of them, actually. I’m very happy with these songs and the lyrics, all of them imply so much to me. ‘Took the Prepare ’til the Finish,’ ‘Glad New 12 months,’ and ‘Crooked Enamel,’ for instance, are very private to me – they’re sincere, uncooked, and melancholic. ‘I Love You’ and ‘I Miss You, I Do’ really feel very vibrant to me. To me, there’s a feeling that comes with every tune, and I really feel like I’ve a favorite line in each certainly one of them. I actually can’t choose!”
At its core, I Miss You, I Do is an album of self-discovery and emotional reckoning – one which finds Arny Margret embracing change whereas holding onto the deeply private, diaristic songwriting that has all the time been on the coronary heart of her artistry.
Every tune is a second captured in time, a mirrored image of affection and longing, distance and connection, worry and progress. Whether or not stripped down or layered with wealthy folks textures, her music carries an plain sincerity, inviting listeners into her world with open arms. And if there’s one factor she hopes for, it’s that this album resonates, providing consolation, catharsis, or just an area to really feel.
“I simply hope it makes individuals really feel one thing or really feel extra deeply,” she shares. “Additionally, if it may possibly assist individuals by stuff, that’s all that I hope my music will do. That’s what it did, for me, at the very least.”
Expertise the total document by way of our beneath stream, and peek inside Arny Margret’s I Miss You, I Do with Atwood Journal as she goes track-by-track by the music and lyrics of her sophomore album!
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Stream: ‘I Miss You, I Do’ – Arny Margret
:: Inside I Miss You, I Do ::
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I Miss You, I Do
“The tune was recorded with Josh Kaufman in Kingston, New York, this was really a tune I wrote the night time earlier than I met him. I wished to have a very good tune to take with me, so I wrote it in my pyjamas within the Airbnb I used to be staying at earlier than I went to sleep. I believe that is the tune I’m most keen on on the album. It’s totally different and it has this cool texture. It’s largely about being removed from somebody you like and lacking them and hoping that they miss you too. To me it’s a quite simple however significant tune”.
Crooked Enamel
“It’s about feeling unnoticed and forgotten. But it surely’s additionally about what makes me who I’m, I used to have crooked tooth and I’ve my mom’s eyes. This can be a very private tune to me. It’s in regards to the good and the unhealthy, it’s about rising up and realizing who you might be. I labored with Andrew Berlin on this one. Steve Varney additionally performed a whole lot of devices on it which was so cool, I really like his work”.
Greyhound Station
“This one was recorded in Brad Prepare dinner’s studio in Raleigh, North Carolina, in his house studio. I believe it was the primary session I did with a brand new producer, so I used to be sort of scared about it. After nearly 3 weeks of touring, we met up, and we simply talked a bit, after which we recorded the tune. I believe this was really the primary tune we did. I wrote it whereas touring, possibly per week earlier than the session. It was the primary tune I attempted with banjo, with a extra folky sound. Brad’s brother Phil performed the banjo and a few keys, which was very nice. It was actually totally different and thrilling to me to listen to my songs with these new devices. To me, it is a vibrant tune, somewhat than a darkish one, which is why I prefer it, and that is one thing I used to be making an attempt to do extra with this document. This tune was very impressed by the ‘American’ sound, which I like”.
I Love You
“I recorded this one in Iceland with Kiddi and a band. This one I wrote for my mother. I went to go to her after I hadn’t seen her for a very long time, I didn’t realise I missed her till I met her. It’s about her and her childhood house, the farm she grew up on, it’s a tune for her actually and a tune I actually love. To me it seems like a letter to her, it feels very true and particular to me. This is without doubt one of the first songs I recorded for this document”.
Day Outdated Ideas
“This was recorded right here in Iceland final fall with Kiddi and the identical band that I recorded I Love You with. We tried a number of totally different variations with this one, practiced it a number of instances after which it abruptly got here collectively. This tune nearly didn’t make it to the document as a result of I didn’t like the unique lyrics. I then realized that the tune was really fairly good so I tweaked all of the lyrics I didn´t like and stuck them. I’m very happy with this tune, it has a cool beat and a fuller sound. This tune says a whole lot of issues, it’s sincere.”
Perhaps I’ve Wasted My Time
“That is about overthinking stuff that’s already occurred which you could’t change, It’s about rising up and rethinking elements of our previous. It’s my ideas about every thing and nothing. This one is possibly one of many extra melancholic ones on the document. This tune could be very sincere to me, nearly like a diary entry. It’s all of the issues that I wouldn’t actually say out loud to anybody”.
Took the Prepare ’til the Finish
“That is one other one with Brad Prepare dinner. And I wrote it whereas I used to be visiting Denmark for a bit with my pal. It’s many issues in a single, nevertheless it’s sort of a tragic tune. It’s about not being remembered or appreciated, however largely it’s in regards to the realization that, regardless of how somebody may make you are feeling, it doesn’t make you no matter they are saying about you. Phil Prepare dinner did some piano on this one and Brad did some cool synths. This tune is stuffed with feeling and vulnerability. When me and Brad had been listening again to what we had made he cried. It was a bizarre and particular second filled with emotions. That’s precisely what I would like my music to do”.
You’re Mine, I’m Yours
“This was one other one with Josh in Kingston, New York. It’s like a pleasant letter to a pal. I like working with bizarre individuals with nice concepts, who don’t actually care about what the norm is, and Josh has this loopy thoughts, which was so cool, and very nice to work with. He’s all about how the music feels, which I’m too. It was so good to get to work on a few of these songs with him. This can be a very vibrant tune, nearly a love tune actually”
Born in Spring
“This tune is about loving somebody that doesn’t actually make you are feeling like the very best model of your self. Generally you may be nicer to individuals when there’s some house between you, that’s sort of this tune. It’s not a bitter tune, it’s about taking wholesome house whenever you want it. It’s about realizing what you need and what you don’t need. This album is about making one thing new and determining who I’m and what I’m making an attempt to say.”
Glad New 12 months
“Glad New 12 months was recorded with Andrew Berlin in Gregory Alan Isakov’s studio in Colorado. I really met him a tiny bit once we acquired there which was so cool. He’s in all probability my largest musical inspiration. So it was actually loopy to be recording in that studio. That is about Christmas and New 12 months. New 12 months’s Eve has by no means been the very best time of yr for me, I’ve all the time felt prefer it’s a tragic and darkish time and there are in all probability much more individuals on the market that connect with that. To me it’s not this tremendous melancholic or unhappy tune despite the fact that the lyrics are that method a bit. Ultimately of the tune it goes to this repeating refrain which supplies a totally totally different feeling. I’m very happy with this tune. Steve Varney from Gregory’s band performed the banjo, which was actually cool. I really additionally did a little bit of drums on this one, so I’m doing a number of various things.”
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