The duet by Woman Gaga and Bruno Mars spent 4 weeks at No. 2 on the Sizzling 100 in November earlier than being swept out of the highest 10 by the annual rush of vacation songs. This week, it lastly rises to the highest of the chart.
John Esparza/Courtesy of the artist
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John Esparza/Courtesy of the artist
Vacation songs and albums have lastly been mothballed for an additional yr, leaving us with a recent baseline to start 2025. SZA’s deluxe version of SOS stays at No. 1 on Billboard‘s albums chart, whereas Bruno Mars and Woman Gaga’s “Die With a Smile” has lastly topped the Sizzling 100 singles chart. With the Grammys looming, it is one other large week for the same old suspects — Kendrick Lamar! Sabrina Carpenter! Taylor Swift! Billie Eilish! — however just a few recent faces are gaining momentum.
TOP ALBUMS
Final week, SZA‘s two-year-old album, SOS, returned to the highest of the Billboard 200 because of a deluxe version — titled SOS Deluxe: LANA — that expanded the document from an already-whopping 23 songs to a tremendous-whopping 38. SOS has by no means left the highest 20 in its greater than two years on the chart, so 15 new songs have been greater than sufficient to ship the gathering hovering previous a glut of old school vacation chestnuts by the likes of Michael Bublé, Bing Crosby and Mariah Carey.
This week, we return to a largely holiday-free existence during which each Christmas document has been mercifully banished to deep storage (or a minimum of the decrease areas of the Billboard 200). So it is no shock that SZA is holding regular at No. 1 — SOS‘s twelfth very nonconsecutive week atop the albums chart, which is the longest run at No. 1 for a girl in R&B or hip-hop since Whitney Houston‘s self-titled debut held the highest spot for 14 weeks in 1986. (The soundtrack to 1992’s The Bodyguard was No. 1 for 20 weeks, however Houston solely carried out about half of its songs, so it is disqualified on a technicality.)
SZA is, after all, already having a large 2025; along with her personal chart-topper, she additionally options prominently on the album at No. 2 — Kendrick Lamar‘s GNX, which jumps from No. 5 — and has a film (One among Them Days) popping out later this month. And, on condition that Lamar is headlining the Tremendous Bowl Halftime Present on Feb. 9, and that the 2 are about to go on tour collectively… nicely, it is not a stretch to recommend that SZA has extra high-profile performances in her fast future.
Each document within the high 10 is on the rise, a minimum of by way of chart place, although that solely tells a part of the story; most of them declined in gross sales, airplay and/or streaming in comparison with per week in the past, however zoom up the chart anyway because of the vacuum created by the vacations’ finish. They’re, so as: Sabrina Carpenter‘s Quick n’ Candy (No. 12 to No. 3), the Depraved soundtrack (No. 8 to No. 4), Billie Eilish‘s Hit Me Laborious and Gentle (No. 14 to No. 5), Taylor Swift‘s The Tortured Poets Division (No. 7 to No. 6), Chappell Roan‘s The Rise and Fall of a Midwest Princess (No. 16 to No. 7), Morgan Wallen‘s One Factor at a Time (No. 29 to No. 8), Gracie Abrams‘ The Secret of Us (No. 25 to No. 9) and Tyler, The Creator‘s CHROMAKOPIA (No. 27 to No. 10).
So the story stays kind of unchanged, minus the vacations: It is SZA and Kendrick Lamar’s world, Carpenter and Swift and Roan and Eilish nonetheless dominate heading into the Grammys, Depraved is a real phenomenon, Wallen guidelines nation music (commercially, a minimum of) and Abrams’ rise continues. Subsequent week, search for extra of the identical, with one notable addition: Dangerous Bunny‘s new album, DeBÍ TiRAR MáS FOToS, dropped Sunday and is definite to present SZA some main competitors for the highest spot.
TOP SONGS
There was sure to be huge turnover on the Sizzling 100 singles chart, as dozens of vacation staples — together with final week’s high 16 songs and 23 of the highest 25 — all plummet into hard-earned oblivion. Billboard has an odd system whereby classic/catalog songs can solely hit the Sizzling 100 in the event that they chart within the high 50, so meaning we have misplaced 38 of final week’s high 50 songs, plus 4 lately launched vacation tracks from Laufey, Mark Ambor and Kesha, all of whom have been charting between No. 56 and No. 89. That is a ton of turnover, particularly close to the highest, and it is led to some colossal chart leaps.
Most outstanding amongst them is Woman Gaga and Bruno Mars‘ “Die With a Smile,” which lastly tops the chart in its twentieth week, because it climbs from No. 17 — the best place loved by a non-holiday music final week — to No. 1. That is the slowest climb to No. 1 since… nicely, final March, when Teddy Swims‘ “Lose Management” hit No. 1 in its thirty second week on the chart.
“Die With a Smile” spent 4 weeks at No. 2 in November, and the music that stored it out of the highest spot — as a part of a nonconsecutive 19-week run at No. 1 — now leaps from No. 24 to No. 2. That observe, after all, is Shaboozey‘s unmurderable “A Bar Track (Tipsy),” which stays one week away from holding an all-time document outright. It is at present tied for the longest-ever run at No. 1; its 19-week stint on the high ties that of Lil Nas X‘s “Previous City Street (feat. Billy Ray Cyrus)” from 2019.
The largest hits of 2024 simply maintain flooding again into the highest 10: Billie Eilish’s “Birds of a Feather” zooms from No. 28 to No. 3, whereas the aforementioned “Lose Management” takes an much more uncommon leap. Due to that rule about previous songs solely hitting the Sizzling 100 in the event that they’re within the high 50, “Lose Management” — which, bear in mind, is from all the way in which again in 2023 — really received pushed off the chart fully final week. Now that the vacation songs have cleared out, nevertheless, it re-enters the Sizzling 100 at… No. 4, which matches the spot it held on the finish of November. (5 extra songs re-enter the chart’s high 20 underneath related circumstances: Benson Boone’s “Lovely Issues,” at No. 12, Hozier‘s “Too Candy,” at No. 14, Chappell Roan’s “Good Luck, Babe!,” at No. 17, Myles Smith’s “Stargazing,” at No. 19, and Kendrick Lamar’s “Not Like Us,” at No. 20.)
Bruno Mars resides at each ends of the highest 5, as one other duet — this one titled “APT.,” with ROSÉ of the Ok-pop group BLACKPINK — leaps from No. 34 to No. 5. Whereas many of the high 10 consists of songs rebounding to the neighborhoods they’d occupied earlier than the vacations, “APT.” really hits a brand new chart peak this week: It debuted at No. 8 on the chart dated Nov. 2, then fell out of the highest 10 till this week. The music had been displaying indicators of progress at the same time as vacation songs crowded it out of the highest 30, and now it is within the high 5 for what appears to be like like an prolonged keep.
Talking of rising stars, Gracie Abrams’ “That is So True” climbs from No. 33 to No. 6. Kendrick Lamar’s “Luther (feat. SZA)” rebounds into the highest 10, hovering from No. 27 to No. 7, whereas Publish Malone‘s venerable “I Had Some Assist (feat. Morgan Wallen)” takes a good larger leap, from No. 47 to No. 8. And Sabrina Carpenter rounds out the highest 10 with “Espresso” (No. 46 to No. 9) and “Style” (No. 41 to No. 10).
WORTH NOTING
With the vacations behind us and Billboard largely providing up a reminder of what life was like in November 2024, it is value eyeing up just a few weeks’ value of charts to see what is likely to be breaking by within the new yr. As a result of, for all of the domination by the same old suspects, just a few recent faces are additionally exhibiting indicators of progress.
ROSÉ: As famous above, the BLACKPINK member’s Bruno Mars collaboration, “APT.,” has gained important momentum over the vacation season, rebounding into the highest 5 for the primary time. However it’s not simply the one hit: After debuting at No. 3 and slipping out of the highest 10, ROSÉ’s new album, rosie, leaps from No. 32 again as much as No. 12 this week. Given how shortly most Ok-pop acts slide down the Billboard 200 after flashy debuts, rosie is experiencing a notable little bit of endurance.
Ok-pop usually: Talking of Ok-pop, current years have seen a flood of acts debut at or close to the highest of the Billboard 200, solely to fizzle out to make room for the following large factor. However proper under ROSÉ on this week’s Billboard 200, holding at No. 13, is Hop by the Ok-pop powerhouse Stray Children; it is the sixth straight launch by the group to debut at No. 1, all inside the final three years. Holding regular amid the mass vacation exodus is not an indication of progress, precisely, however we’re nonetheless speaking about three straight weeks within the high 15. Stray Children’ relative endurance and the rise of ROSÉ — to not point out Jimin’s months-old music “Who,” which returns to the Sizzling 100 at No. 24 this week — we’re seeing extra Ok-pop acts show endurance on the U.S. charts.
Lola Younger: The English pop and R&B singer launched her second studio album, This Wasn’t Meant for You Anyway, again in June 2024. The album lastly cracked the Billboard 200 just a few weeks in the past, coming into the chart at No. 180, solely to drop off the chart amid the vacation deluge. This week, nevertheless, it surges again to No. 105. Extra conspicuously, her single “Fortunate” — which had been bouncing across the decrease half of the Sizzling 100 for a couple of month — leaps from No. 61 to No. 25. In the event you assume you is likely to be wanting on the subsequent word-of-mouth pop star, Younger has knowledge to again that up. (Younger really has two songs on this week’s high 40; she’s a featured visitor on Tyler, The Creator’s “Like Him,” which jumps from No. 66 to No. 37.)
Nation music: It isn’t simply that Morgan Wallen’s One Factor at a Time surges again into the highest 10, the place it is lived for many of the final two years. (He is additionally received a brand new single known as “Smile,” which debuts on the Sizzling 100 at No. 27, in addition to his ordinary assortment of long-running hits.) A great deal of nation songs are hitting new Sizzling 100 peaks this week: Tucker Wetmore’s “Wind Up Missin’ You,” which has been on the chart for a whopping 40 weeks, climbs from No. 65 to No. 31, Zach High’s “I By no means Lie” zips from No. 72 to No. 38, and Lainey Wilson‘s “4x4xU” zooms from No. 94 to No. 45, to record simply three examples. Even Shaboozey, who’d struggled to get listeners to latch onto a music aside from “A Bar Track (Tipsy),” is making an enormous transfer with “Good Information,” which leaps from No. 95 to No. 47.
Causes for hope, for many who’ve been hankering for recent songs to soundtrack their new yr.
